A recently divorced man meets an emotionally devastated widow and they begin a love affair. Starring: Birgitta Pettersson, Birgitta Valberg, Gunnel Lindblom, Max von Sydow. [3] In a possible interpretation, Odin in this film becomes synonymous with the Devil. As such, she convinces her parents to allow Ingeri, their pregnant maidservant, to accompany her. Essential Art House: 50 Years of Janus Films. L.H. Ingeri, after having caught up to the group, witnesses the whole ordeal hidden from a distance. I really hate movies like this (even if they are beautifully photographed, as... MORE> The Virgin Spring. He later referred to The Virgin Spring as "a wretched imitation of Kurosawa". Contact me | Privacy policy | Join the mailing list | Links. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath as the classic auteurs of Europ…, New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray, Audio commentary from 2005 by Ingmar Bergman scholar Birgitta Steene, Interviews from 2005 with actors Gunnel Lindblom and Birgitta Pettersson, Introduction by filmmaker Ang Lee from 2005, Audio recording of a 1975 American Film Institute seminar by Bergman, PLUS: A booklet featuring essays by film scholar Peter Cowie and screenwriter Ulla Isaksson and the medieval ballad on which the film is based. As much as they may contribute to the forcefulness of the theme, they tend to disturb the senses out of proportion to the dramatic good they do". Along their way through the forest on horseback, the two part, and Karin sets out on her own. As her parents lift Karin's body from the ground, a spring emerges from the spot where her head rested. Unbeknownst to her devoutly Christian host family, Ingeri is a pagan, and she prays to the Norse god, Odin. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Through Karin's absence, Töre and Märeta critically review their family dynamic. The comedy became The Devil's Eye. The author recalls the two great cinematographers and their work. Welcome Back to Movie Theaters The Virgin Spring (Jungfrukällan) (1960 Sweden 88 mins) Source: ACMI Collections Prod Co: Svensk Filmindustri Prod: Ingmar Bergman, Allan Ekelund (Uncredited) Dir: Ingmar Bergman Screenplay: Ulla Isaksson, based on a medieval legend Phot: Sven Nykvist Ed: Oscar Rosander Prod Des: P. A. Lundgren Mus: Erik Nordgren Cast: Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta […] [26], The film received mixed reviews in Sweden, with Svenska Dagbladet publishing a review stating "It hits home like a fist between the eyes". In Sweden at the turn of the century, members of the upper class and their servants find themselves in a romantic tangle that they try to work out amidst jealousy and heartbreak. Ingeri encounters a one eyed man, who she ultimately steers away from despite he being what she wanted. [30] Leonard Maltin, giving The Virgin Spring three stars in his 2013 Movie Guide and calling it "Fascinating, beautifully made," felt it was more proper to say The Last House on the Left "ripped off" Bergman's film than remade it. No matter how horrific the occurrences on the screen, this film has been created with such an aesthetically appealing touch that the dichotomies and balance Bergman works towards is evident. Isaksson had written a novel set in Medieval times and was acclaimed for its realism, which Bergman felt might prevent repeat of some criticisms of his 1957 film The Seventh Seal.

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