Part of Bergoglio’s tour when he visits Pope Benedict is a two-man visit to the chapel which, as the pope no doubt intends, is awe-inspiring. This biographical excursion is hardly irrelevant — it clarifies Bergoglio’s political views, and also his fallibility — but the information could have been conveyed in a less literal manner. (An earlier scene has hipster Bergoglio, by contrast, whistling Abba’s “Dancing Queen.”). By now, the portrayal of Benedict is that of a doddering old buffer so out of touch with the realities of modern life that he has only a vague conception of who the Beatles are. The future Francis says, for instance, that there was no mention of angels in the church until the fifth century. But Benedict’s intellect is fierce and his self-awareness not entirely absent, as evidenced in the scene in which he tells his visitor about his plan to abdicate.
The Two Popes serves in places as a refreshing antidote to this widespread hostility. That will certainly come as a surprise to anyone conversant with the New Testament. We ask our visitors to confirm their email to keep your account secure and make sure you're able to receive email from us. They seem to imagine that they have acquired a clarity and certainty about the details of the situation in question that has evaded many others.

The runner-up is Jorge Bergoglio (Jonathan Pryce), an Argentine priest who will replace Benedict eight years later, becoming Pope Francis in a highly unusual transfer of ecclesiastical authority. God calls the Catholics of the Archdiocese of Baltimore to be a welcoming, worshipping community of faith, hope, and love. this helps us promote a safe and accountable online community, and allows us to update you when other commenters reply to your posts. Benedict is a voice of authority and tradition. The filmmakers somewhat counterbalance their hatchet job on Benedict by an extended sequence of flashbacks showing Jesuit Father Bergoglio’s quasi-collaborationist approach to the brutal military regime that came to power in Argentina following a 1976 coup d’etat.

Wondering why we ask for your email, or having trouble registering. The film uses snippets of television news and remarks from lay people to remind viewers of the revelations of sexual abuse and financial malfeasance plaguing the church, but it also tries, somewhat awkwardly, not to dwell on those problems. “It doesn’t have to be funny.”. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. The dialogue also has Cardinal Bergoglio informing Pope Benedict that God changes, an obviously heretical statement. This may make him more appealing than Benedict, but it also makes him less intriguing. I was in desolation when I saw two men, known for their sensitive hearts, depicted as being so brusque with each other in their debates. Among the outliers in the balloting is Bergoglio, who to his own embarrassment gets 10 votes. © 2020 ARCHDIOCESE OF BALTIMORE, ALL RIGHT RESERVED, Charity In Truth: The Blog of Archbishop William E. Lori, The Joy of Believing: A Practical Guide To The Catholic Faith, 2020 School Policy Manual (Updated 10-19-20), Watch Mass from the Cathedral of Mary Our Queen for the 29th Sunday in Ordinary Time, Archbishop Lori’s Homily: 29th Sunday in Ordinary Time, Archbishop Lori’s Homily: 28th Sunday in Ordinary Time/Centenary of the birth of Cardinal Hickey, Watch Mass from the Cathedral of Mary Our Queen for the 28th Sunday in Ordinary Time.
My own view on the matter is: I’m Jewish, and also temperamentally more inclined to ponder secular details than sacred mysteries. If you’re already a subscriber or donor, thank you! The first, though intriguing, is more puzzling than illuminating. Directed by Fernando Meirelles (“City of God,” “The Constant Gardener”) from a screenplay by Anthony McCarten (“Darkest Hour,” “Bohemian Rhapsody”), the film begins in 2005, after the death of Pope John Paul II.

Please contact us at members@americamedia.org with any questions. You can also manage your account details and your print subscription after logging in. While Meirelles and his cinematographer, César Charlone, were able to use some locations in and around Rome, including the summer residence at Castel Gandolfo, they had to substitute for Vatican locations and even recreated some—notably their Sistine Chapel, fabricated at the famed Cinecitta Studios.

When you register, you’ll get unlimited access to our website and a free subscription to our email newsletter for daily updates with a smart, Catholic take on faith and culture from, Jonathan Pryce and Anthony Hopkins deliver astounding performances in ‘The Two Popes’ (photo: Netflix), We’re sorry registration isn't working smoothly for you. It’s all about control. (Yes and no.). Some material may be inappropriate for children under 13. He mutters and whispers, sighs and fidgets, and turns Benedict from a presumed villain into an almost tragic figure, a brilliant theoretical mind tethered to a complex and troubled soul. Were Francis’ words mistranslated? Anthony Hopkins portrays retired Pope Benedict XVI and Jonathan Pryce portrays Pope Francis in a scene from the movie "The Two Popes." But when Benedict and Bergoglio are together — first at the castle and then, in the film’s most beautiful section, in a small room abutting the Sistine Chapel — the actors draw out both the spiritual and the psychological dimensions of their characters. Informed Catholic moviegoers will wince at a series of distortions, some of which are downright weird. (CNS photo/Peter Mountain, courtesy NETFLIX). You may like Francis better — “The Two Popes” assumes, or maybe insists, that you will — but Benedict is the one who stays with you. He chats amiably with gardeners and chauffeurs, dances the tango and is a passionate soccer fan. “That’s not the same thing,” says Bergoglio. Benedict, receiving his visitor at the papal summer residence in Castel Gandolfo, has other plans, though they aren’t clear at first. “It’s a German joke,” the pope concludes. The Catholic News Service classification is A-III -- adults. This is partly because the filmmakers want us to see Bergoglio as a redemptive figure, a man who has faced up to his own failures with humility and whose ascension to the papacy portends an era of reform and renewal. The years skip by until 2012, and a summons from Benedict to Bergoglio, who has tendered his resignation as archbishop of Buenos Aires. When they argue semantics and swat at each other’s metaphors — Bergoglio says he wants to break down walls; Benedict replies that “a house needs walls” — what is at stake is the future of the church itself. Before you can comment, you need to update your profile to include your first and last name, as required in our, Did the pope “endorse” civil unions? Twitter users swapped "pope memes" last week using digitally altered images of Pope Francis celebrating the Eucharist. Fine performances by the leads and high production values do not compensate adequately for a fast and loose version of recent — or ancient — church history.

At the same time, the contrast between such Vatican magnificence and the humble Bergoglio could not be starker. That’s hardly a spoiler, but “The Two Popes” observes the transition with an attention to detail that produces a surprising degree of suspense. “The most important qualification for a leader,” says Cardinal Peter Turkson (Sidney Cole), during the 2005 conclave that opens the film, “is not wanting to be leader.” The cardinal adds, somewhat gratuitously given his audience, “Plato.” What he says without saying it is “Bergoglio.”. Or so Bergoglio thinks. The film addresses the weightiest questions confronting the church—and not just about financial crimes and sexual abuse. In fact, it’s pretty well established that he would have much preferred to be left in peace to read his books and play Mozart on the piano. Both Pryce and Hopkins deliver astounding performances, and their presentation of their complex, multifaceted characters is enhanced by Anthony McCarten’s nuanced script (adapted from his stage play) and the director Meirelles’s appreciation for how much his two main characters’ body language, facial reactions and even clothing reveal their very divergent personalities. John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times. Bergoglio is shocked and dismayed. ‘The Two Popes’ is a tour-de force of acting, of actors interacting, of actors dueling and dancing. The second feels a bit like a Wikipedia page, albeit one with first-rate cinematography. And he very much wants the job—something that the director Fernando Meirelles (“City of God,” “The Constant Gardener”) implies mostly through gestures and reaction shots. Still, “The Two Popes” is not without its charming moments. Bergoglio likes to proclaim his own simplicity. The cardinals of the Roman Catholic Church gather at St. Peter’s to elect a successor, settling on Joseph Ratzinger (Anthony Hopkins), who becomes Pope Benedict XVI.


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