Is it too much drama? But we have yet to mention the buddies, and a film like this would be amiss without them. I’m not sure. You can see Davies and his co-collaborator Mathew Brawley have taken these words to heart quite literally. All you need are a couple of buddies and you’re in for a fairly absorbing time. Soli Deo Gloria. Is it not enough? "The characters and performances are the core to what makes Davies’ film so compelling while his script has many exceptional moments exploring familiar ideas, Philophobia struggles to have all of these threads work together in unison. Kai’s of that time-honored tradition, the wide-eyed literarian who conveniently doubles as our everyman. So Philophobia remains fairly jovial and adolescent until it’s not….

How they choose to spend this time will cost one of them their life and leave them all changed forever. Slash Film

Then there’s ever-reliable Sammy (Charlie Frances) always glowing with a goofy smile and a twinkle in his eye. Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. Because while it’s not able to fully articulate its myriad of ideas, at least it’s brave enough to extend itself and to be something of its own creation, albeit heavily borrowed from the teen comedies and dramas of the past. Follow his frequent musings at Film Inquiry and on his blog 4 Star Films. Take any number of moments. Nearly getting caught by the cops for smoking. The image could not be loaded. Buried hurts are normally concealed behind closed doors and drawn window shades but again, as the audience, we are privy to the characters in their most personal moments of anxiety and confusion. Mobile site.

Overall, I’m really grateful for the opportunity to see this and great work to everyone involved. Outside of a few typical moments you’d expect from romantic dramas, the dialogue and interactions between the characters feels very natural. Sources include, Film Distributors' Association, Film Dates and BBFC.
So I’m tempted to forego Philophobia‘s attempt at perplexing headiness and enjoy its other charms instead. Because when the fantasy and the observer actually enter reality, say at school or a party, they must come in contact with the messiness of real-life, replete with warring emotions and mixed signals. And on numerous occasions, the film looks to keep up this tension — this dread — as if this will keep the audience around to witness some imminent trauma. And yet it exerts itself, being about far more than fear, falling in love, and the intersection of the two. Wide Management picks up ‘Philophobia’ ahead of virtual Cannes (exclusive), 09 June 2020 Even as Kai’s romantic forays are trivialized as life experience and fodder for his future literary career and then Kenner increasingly burns with vindictive rage, the contours are just enough to keep us questioning. So, if you witness a relationship in which a couple is going through hard times and eventually breaks up, chances are that you will develop a … Synopsis (n.) the fear of falling in love. Given the ample time allotted, it’s easy to call the pacing into question, between the will-they-won’t they romance and all the interludes in between. To a degree, it feels like scenes are being strung together, but as we’re given some pretense of finality — school being done with — and we genuinely enjoy the company of our leads, it doesn’t seem to matter much. If nothing else, we are reminded that coming-of-age stories have a set of well-worn conventions and pervasive undercurrents.

However, I’m inclined to think Philophobia is at its very best in the subdued even jocular moments cast under soft hues and lens flares. I was kind of disappointed at first when this turned out to be more conventional and had less of a European flare and was more American or "Hollywood" but with British accents. Невыносимое пиздострадание где-то в британском захолустье. Because, by definition, Philophobia is “the fear of falling in love,” and what better place to begin a story of youth. Stop me if you’ve heard this before. Directed by Guy Davies. 125 min Especially since a lot of the best don't come…. We’re never allowed to get overly comfortable because there is this persistent sinking feeling welling up inside. Philophobia will premiere at The Heartland International Film Festival on October 13, 2019.
Guy Davies’ Philophobia is a really well done film and I think what sells this film is it’s great casting. Join a community of like-minded readers who are passionate about cinema - get access to our private members Network, give back to independent filmmakers, and more. For an enhanced browsing experience, get the IMDb app on your smartphone or tablet. My Campy Slumber Party: Xanadu, Muses, and Disco, Oh My! Around the dining hall table, they deliberate over their premediated senior pranks. The same might be said of Philophobia. At any rate, it feels authentic. even though I knew this was British and all. © Letterboxd Limited. In one unnerving yet on-point moment, Kai circles the word “disquiet” in red underscoring what the scene is trying to get at. How they spend this time will cost one of them their life and leave them changed forever. Our protagonist, after all, is an aspiring writer whose favorite pastimes include circling words in a pocket dictionary — to ruminate over and store away for future use. | With Harry Lloyd, James Faulkner, Joshua Glenister, Kim Spearman.

I mean it in the sense that allowances are made for shooting the breeze in an old, beat-up lounge chair or sprawled out on a rooftop taking drags from an illicit joint. "We're 17. Megsy (Jack Gouldbourne) is the likable if profane clown of the group who stretches out his sentences to every syllable with his high-pitched brogue always getting a good laugh. Become a Member and support film journalism. Philophobia. Do you think the maxim “write what you know” holds true for screenwriting & filmmaking? | ... 2019. Because the turbulence, though well-founded for a teen movie, threatens to derail what feels distinctly real. Let us know your thoughts in the comments below! Philophobia showed at the 23rd Tallinn Black Nights Film Festival, when this piece was originally written. © 2020 Film Inquiry. อยากอยู่คนเดียว ทำไมไม่ไล่พ่อแม่คุณออกจากบ้าน มาบอกเลิกผมทำไม The ambiguities of their relationship will form the crux of the drama and in these opening voyeuristic moments, I couldn’t help but think of Kieslowski‘s A Short Film About Love.

In the latter category my favourites are Bambi and American Graffitti and, from over the pond, If... View production, box office, & company info, Wide Management picks up ‘Philophobia’ ahead of virtual Cannes (exclusive), Wide Management picks up ‘Philophobia’ ahead of Cannes (exclusive), ‘Philophobia: or the Fear of Falling in Love’ Review: An Intriguing Blend of Horror and Romance [Denver Film Festival]. All Rights Reserved. It’s a love letter to the absence of adulthood, the boredom of adolescence and the fighting spirit that captures the young heart. But it gives us more to mull over because, at its best, it is a movie of adequate leisure. 42nd Moscow International Film Festival: 1–8 October 2020, 42-й Московский международный кинофестиваль: 1–8 октября 2020, Films I've enjoyed in 2019.

Tynan loves nagging all his friends to watch classic movies with him. I hope they go onto bigger projects in their futures. Made by fans in Auckland, New Zealand. A Beginner’s Guide to National Cinema Theory, Beginner’s Guide: George Miller, Writer & Director, The Beginner’s Guide: Josh & Benny Safdie, Writers & Directors, The Joker’s Smile, Part 3: The Final Joke (For Now…), The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character, Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema, Critiquing The Critic: The Evolution & Function Of Film Criticism, Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT, Anarchic Cinema: V-Cinema & Takashi Miike, The History of Hong Kong Action Cinema Pt. Causes of philophobia are directly linked with past or present experiences which consequently form the mindset of an individual. I was lucky enough to go and see this at the Melbourne Lift Off Film Festival. Paul Risker - 18-06-2020.


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