Also, as is Disney tradition, there is a cover version of "A Whole New World" by ZAYN and Zhavia Ward that plays over the credits.
Warning: MILD SPOILERS ahead for Aladdin. Sarah is a graduate of THE Ohio State University where she earned her B.A. The lyrics remind the audience and Jasmine herself of the princess' strength. RELATED: Aladdin Conjures Disney's Best Live-Action Remake. A one-stop shop for all things video games. Below we go through the soundtrack of the adaptation to see what each song adds to this reimagining of the tale. Where Aladdin and Abu were fleeing on their own in the original, the remake features Aladdin, Abu and Jasmine in the scene, as she's the reason they're running. However, Smith's Genie does still cross dress for a brief moment as a harem girl. Those changes don't really add anything, but they certainly don't worsen the song. Sarah is also the Editor-in-Chief of Kabooooom.com, a website devoted to reviewing, ranting, and raving about comic books and all they inspire. Listen to and download the music, ost, score, list of songs and trailers. The lyrics from the 2019 remake differ from its predecessor, in that it addresses theme of destiny whereas the original focused on the hardships of living in this distant and unforgiving land. Following more in the tradition of Will Smith movies than Disney, Aladdin begins its credits with a new rap version of "Friend Like Me" performed by Smith and DJ Khaled. In the 1992 animated feature, Jasmine only sings during her duet with Aladdin, but in Aladdin 2019, Jasmine has her own solo number, and a more substantial arc to boot. A one-stop shop for all things video games. The lyrics remain more or less the same as the original track, and even though Jasmine accompanies Aladdin in the scene, she doesn't sing (yet). Related: Aladdin 2019 Cast Compared To The Original Animation. Disney's animated classic Aladdin is near and dear to the hearts of millions of fans.

RELATED: Aladdin's New Ending Actually Improves Upon the Original. He does this while studying language, culture, and communication at Linnaeus University. When she’s not trying to transform her rambling thoughts into written words, Sarah can be found playing SMITE, catching up on her pull list, or escaping through travel documentaries on Netflix. The sequence leads in to "One Jump Ahead", but unlike in the 1992 animated feature where it's Aladdin caught stealing, the Aladdin remake puts that crime on an in-disguise Jasmine.
"Arabian Nights" also includes a line spoken by the Cave of Wonders, with legendary voice actor, Frank Welker reprising the role (as well as those of Abu and Rajah) from the 1992 animated feature. Because of that, any attempt to adapt the 1992 feature without incorporating the original's memorable soundtrack would have likely left the film lacking. Here's Everything We Know. Chris Hemsworth Shares Photo From First Thor: Love and Thunder Script Read, Aladdin: Every Song in Disney's Live-Action Remake, Aladdin's New Ending Actually Improves Upon the Original, Disney's Aladdin Remake's Harshest Reviews, Disney's Aladdin Prequel Gives Princess Jasmine a New Backstory, Aladdin Conjures Disney's Best Live-Action Remake. After the gang escapes from the Cave of Wonders, Aladdin makes his first official wish: to become a prince. "All I know is, I won't go speechless," she sings, every time she needs to muster up the courage to make her voice heard. RELATED: Disney's Aladdin Prequel Gives Princess Jasmine a New Backstory.

However, fans shouldn't simply expect to hear the same song performed by a different voice. This version of the song is longer, with more lyrics that work to better establish the setting of the film.

in Film Studies in 2009. Sort Of, The Candyman Director Explains How Horror Helps and Hurts Black Filmmakers, The Witches Is a Muted Take on Roald Dahl's Disturbing Classic, Borat: How the Original Movie Holds Up, 14 Years Later. The song is accompanied by a final dance number that works almost like a curtain call, even bearing some resemblance to the end of a Bollywood masala film. Does Disney's Aladdin Have a Post-Credits Scene? RELATED: Does Disney's Aladdin Have a Post-Credits Scene? Most of the pop-culture callbacks and fourth wall breaking from Williams' Genie are also removed, as the number relies more on Smith's singing, dancing, and natural charm. Other than that small issue, the song is fine. Genie starts to beatbox in the middle of the number, and so does Jasmine when the song is performed again at the end as the credits roll. However, fans shouldn't simply expect to hear the same song performed by a different voice. RELATED: Aladdin's New Ending Actually Improves Upon the Original. The new Prince Ali bursts into Agrabah atop an elephant, with an entire parade and Genie literally singing his praises.

But the remake enlists original composer Alan Menken to update many of the familiar numbers, and to introduce a new one. Thankfully, though, Will Smith's Genie doesn't try to mimic William's performance and instead brings his own style to the song which, yes, includes a short beatbox break.

Narayan Liu (/Nəraɪʌn Lɪʊ/ in IPA) is a contributing features and news writer, and junior editor at CBR. You can follow him on his blog (narayanliu.wordpress.com), on Twitter (@Narayan_Liu) or contact him directly at Narayan(dot)Liu(at)gmail.com. Every one of the original's songs is included in some way or another. Smith's Genie may have earned some ire when his digitally-created blue form was revealed in an earlier trailer, but luckily, Smith has more than enough charm and swagger to make the role work. It set the tone, and created an atmosphere of magic and mystery on which the rest of the story could be built. They simply exist in the remake, reminding audiences this film isn't exactly the same as the one whose magic it tries to recapture.

Once again, Smith attempts to make it his own even as the film does its best to pretend it's still Williams performing. Directed by Guy Ritchie, Aladdin doesn't veer too far from its roots in the 1992 animated feature, but in the few places that it does, it's hard to argue with the changes as they do (for the most part) improve the film. While "Friend Like Me" relies heavily on the magic of digital effects to create its spectacle, "Prince Ali" - the number which introduces Aladdin's new prince persona to Agrabah - is a more old-fashioned musical production. Disney's live-action adaptation of Aladdin puts a new spin on some familiar tunes, and adds an original number. When Aladdin performs the reprisal later in the film, it's because he's remembering where he came from and assessing what he has become. The biggest difference is the change in context. "A Whole New World" is by far the most recognizable song from Aladdin and the remake does it justice by changing basically nothing about the tune. Menken returns to expand on his Aladdin score for this film and is joined by Benj Pasek and Justin Paul (La La Land, The Greatest Showman). For example, the line "It's barbaric, but hey, it's home," now replaces "barbaric" with "chaotic", keeping the same rhythm but coming across as less culturally insensitive.

"Speechless" is the one completely original tune the film has to offer. There is a lot from the original that has been adapted to the live-action performance, and not only in regard to the lyrics. The harem girls appear, Mehrunisa sings, "still I think he's rather tasty," (albeit with a far less-grating emphasis on the last two words), and Aladdin ends the number by diving from a rooftop with a rug. Without a doubt, the Aladdin remake's version of "Friend Like Me" is what will receive the most scrutiny given the absolute iconic rendition by Robin Williams in the 1992 animated feature. Aladdin (2019) includes all of the animated feature's original songs composed by Alan Menken with lyrics by Howard Ashman and Tim Rice. "Speechless" is sung in two parts, once earlier in the film after Jasmine has her wish to become Sultan shot down, and later as she realizes she'll have to fight for what she wants. Aladdin is Disney's latest live-action remake, bringing a fresh spin to the story and the musical's songs. The updated song -- as sung by Will Smith's Genie to his children -- accomplishes just as much, thanks to Smith's approach and, in part, to the flyover shot of Agrabah that accompanies it.


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