To make sense of ''Man of Iron,'' one should have seen ''Man of Marble,'' or perhaps be furnished with a synopsis. He managed to catch up with history. Now, however, the authorities were considerably weaker, and the author of Man of Marble, Aleksander Scibor-Rylski, enthusiastically took to writing the script, while I, in my naivete, went to talk to General Jaruzelski about the tanks which I needed for filming the scenes of the state of emergency introduced in the Coast in 1970. ''Man of Iron,'' the winner of the Golden Palm at this year's Cannes Film Festival, was shown last night at Avery Fisher Hall to bring the 19th New York Film Festival to a poignant, troubling close. Act of Bravery MAN OF IRON (''Czlowiek z Zelaza''), directed by Andrzej Wajda; screenplay (Polish with English subtitles) by Aleksandr Scibor-Rylski; photography by Edward Klosinski and Janusz Kalicinski; edited by Halina Prugar; music by Andrzej Korzynski; production company, the Polish Corporation for Film Production, Zespoly Filmowe, Unit ''X''; a Cinema Circle of Canada release. LET'S CEE Film Festival presents once a year in Vienna high-quality productions from Central and Eastern Europe (CEE), including the Caucasus region and Turkey. | Rating: A- ''We don't share power,'' Winkiel is told by a party functionary. In the end of November 1980 the script was ready. The film is a continuation of the story of the heroes of Man of Marble. ), The utilitarian propaganda function of the film is so obvious that it is clearly only a political pamphlet, made with the purpose of strengthening the authority of the reactionary upper echelons of the union. Though Mr. Radziwilowicz is a strong, forceful acting presense, he is incapable of making either moving or believable the angry relationship between the activist father and the activist son, both of whom he plays in some awkwardly staged confrontations. This 10-digit number is your confirmation number. Explores the volatile political situation in Poland from 1968 to 1980. In awarding Wajda the "Golden Palm" the jurors at Cannes must have taken this into consideration, alongside with the social and moral arguments. Coming Soon. A feature movie, not a documentary. All rights reserved. The film is shot in a mechanical way, which makes it a bit monotonous. On the 29th of August, 1980, Wajda appeared at the Gdańsk Lenin Shipyard, the workers of which were striking and negotiating with the communist Polish authorities. He imposed his own vision before anybody else proposed their own. Leszek Balcerowicz, man of iron Leszek Balcerowicz was until recently like Lech Walesa: a living symbol of change already considered historical, a living being whose ideas were thought anachronistic and whose manner was deemed brusque. The director treated this wish seriously and in the beginning of September he passed the labourers’ film idea on to Aleksander Ścibor-Rylski, who began to work on the script right away. "Kultura", Warsaw, 16 August, 1981. Man of Iron presented a vision deprived of nuances and grey shades. Poland's historical and turbulent political moment is captured in a part documentary and part fiction film directed by Andrzej Wajda in "Man of Iron", a sequel of "Man of Marble" another classic directed by him. This labourer not only asked for a continuation of Birkut’s story but he also suggested to Wajda what the prospective film’s title should be – Man of Iron. Winkiel is instructed not to go after the ''front-line'' organizers, which, one assumes, means Mr. Walesa, but rather the people in the second line, in particular a yo ung fellow named Tomczyk, who turns out to be Birkut's son and who, like Birkut, is played by Jerzy Radziwilowicz. Just confirm how you got your ticket. We won’t be able to verify your ticket today, but it’s great to know for the future. The message conveyed by the two works became – as is the case with monumental messages – fixed for many years and was imposed on a number of generations. They won't be able to see your review if you only submit your rating. (…) Objective testimonies aren’t most important. But some critics, including Małgorzata Szpakowska, who was an opposition activist herself, noticed that the film wasn’t devoid of simplifications, pathos, sentimentalism and unconvincing, monumental characters (“Kino” 8/1981). TimesMachine is an exclusive benefit for home delivery and digital subscribers. The movies creators knew they had to act fast or else it would quickly be too late (Kino, 7-8/2005). |. You're almost there! The film also won the Prize of the Ecumenical Jury at the same festival. Like the earlier film, ''Man of Iron'' is a political mystery story in the form of a journalist's search, this time not for the truth but for some embarrassing goods. Poland starts as non-aligned, but with their unique focus tree can easily join any of the main ideologies or even try and remain neutral through the war by starting their own faction. It covers a time frame from 1968 to the present. Poland X If I look confused, it's because I'm thinking. What was positive was that the film managed to capture the current events of its time. It is not surprising that Man of Iron has won the "Golden Palm". The echo of Man of Marble returned to me; the final scene had ended right here, at the gates of the Gdansk shipyard. A Ciencia Politica Nos Anos 80. ed. The film is set against Poland's emergent Solidarity labor movement, and includes scenes filmed during actual labor strikes. Thanks to these persons, Wajda’s film became an important record of that unusual time. This 'commission' was given to Wajda by a labourer, a member of the shipyard guard, who escorted Wajda into the shipbuilding facility. The movie is so stuffed with flashbacks that it's not always easy to know exactly in which political crisis we are at any given moment. FILM: 'MAN OF IRON' TELLS OF POLISH UNION'S STRUGGLE.

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