I’m an unashamed movie crier, but I resent being prepped for how I should feel about a movie I’m about to see. In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Ross boils down lifetimes and the passage of days, weeks, months, perhaps even beyond, into 70 minutes, and, as a result, the movie ultimately lives in between the passage of seconds. An in-depth and intimate portrait of Coldplay's spectacular rise from the backrooms of Camden pubs to selling out stadiums across the planet. This tribute to Hal Ashby, though, is more fine-tuned in its focus, even if that’s only because the director of '70s classics such as Harold and Maude and Being There was more consistent in his career and uncompromising in his ideals and his integrity. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints. Unlike those other works, the production in focus here had no famous names or IP involved. Unay, whose past credits are mostly in visual effects for such blockbusters as Avatar and King Kong, makes a stunningly confident and cinematic feature debut following the dramatic life of Joe Carman, who struggles with the clash between his passion for fighting and his family’s fearful disapproval of the part-time profession. By putting on a reenactment, casting townsfolk as miners, as the sheriff’s posse, as witnesses to the travesty. They only have once chance, to not only rule Russia -but to become the best band in the West. (Here’s to hoping that Jodie Mack’s The Grand Bizarre and Khalik Allah’s Black Mother find wider distribution next year.) The Gospel According to André is very much about Talley’s experiences, being his life, times and philosophies, and less about his experience, being his accomplishments as a journalist and fashion icon. Because McCain has also been diagnosed with terminal brain cancer, he knows he will be gone soon, and his voiceover narration serves as a self-eulogizing look back through life and career, reflecting on good and bad moments with equal recognition.Where to see it: Stream on HBO (watch the trailer), Released: August 24Director: Stephen Maing (High Tech, Low Life)Why it’s great: Focusing on the New York Police Department, this immersive, character-driven documentary reveals the fight against the long-established, but now illegal, practice of arrest quotas, which traditionally targets minority communities to serve the courts rather than the community. chronicles in nearly real time how the performer educates herself on Sri Lanka’s political strife and incorporates it into her daring, electric music. As Bonnetta and Sniadecki patch in ambient soundscapes, allowing the soft noise of a thunderstorm or the squeak and rustle of night creatures to seep into the picture, their camera lingers on stretched out, scorched landscapes. One band reigned supreme and toured far and wide across the eastern earth, but never even left Russia - until now. The town is divorced from America writ large, because Monrovians have their own concerns on their mind. The effect is cumulatively gutting: They end up with a grainy pastiche of this godforsaken part of the world, nothing instructive, just a lasting, melancholy impression. Director: Steve Loveridge MATANGI / MAYA / M.I.A. Simultaneously an appreciation of the still and the moving image, 24 Frames actually feels more genuine than most documentaries, especially for its acknowledgment of the omnipresence of birdlife. The unscripted film offers a rare case of truth being more riveting than fiction.Where to see it: Home video (watch the trailer), Released: September 28Directors: Elan Bogarin and Jonathan BogarinWhy it’s great: One of the most clever docs of the year, 306 Hollywood is a wonderful debut feature from brother and sister team Jonathan and Elan Bogarin about their late grandmother, Annette Ontell, and the home and various objects she left behind after her death. That makes him not just a distinct figure in American government but also an interesting subject for a movie. The first fashion collection from Lee Alexander McQueen, titled “Jack the Ripper Stalks His Victims,” announced an artist who wasn’t going to play around. That never happened, and 20 years later Tan decides to open those old wounds, connecting with her old friends and trying to determine what became of Georges. The remarkable story of iconoclastic fashion designer Vivienne Westwood as she fights to maintain her brand’s integrity, her principles and her legacy. Even if you don’t like his work, you’ll be inspired and saddened by his story.Where to see it: Amazon Prime (watch the trailer), Released: August 22Director: Julien FarautWhy it’s great: While possibly disappointing for anyone looking for a biographical portrait of tennis legend John McEnroe, this film offers a methodical profile of his talents on the clay court. Ontell’s life is handled uniquely and playfully in a way that’s rarely been seen in a documentary before.Where to see it: In theaters (watch the trailer), Released: July 6Director: Stephen Nomura SchibleWhy it’s great: Unlike most music documentaries, this one isn’t so much geared for fans of the artist as it is fans of intimate character portraits. Providing an alternative focus regarding the increasing problem of school violence (contrasting against the greater prevalence of gun-control-focused docs), Garbus’s emotional, character-driven film works as an alarming expose and another accomplishment in dramatic nonfiction storytelling for the director.Where to see it: Stream on HBO (watch the trailer), Released: January 19Director: Dimitrii KalashnikovWhy it’s great: There is a disturbing pleasure to be enjoyed in dashboard-cam footage of traffic accidents, though The Road Movie isn’t just a compilation of Russia’s craziest car videos. That Liu shoots these scenes—especially the film’s opening, set to a stirring classical score—with so much levity and beauty, with so much kinetic freedom, only assures that, for as much as Crystal Moselle and Jonah Hill love their subjects, Liu lives with them. was born in London but grew up in Sri Lanka, where her father Arul formed the revolutionary organization the Tamil Tigers. “He took all of my cool out,” the musician told Billboard after the film’s Sundance premiere. Once upon a time in Russia, communism fell and Rock 'n' Roll rose to power. Features never-before-seen archival footage, exclusive recordings, rare performances and interviews with the people who knew her best. A list of recently posted documentaries in each category. Follow Alex Honnold as he attempts to become the first person to ever free solo climb Yosemite's 3,000 foot high El Capitan wall. has fallen out of critical favor for myriad reasons—the furor over her decision to flip off the camera during the 2012 Super Bowl halftime show, her inability to repeat the phenomenal success of “Paper Planes”—but the film makes no attempt to rehabilitate her career. But that experience, the experience of being haunted, proves vital. Chronicling the milestones of and discourse around African-American education, from the slavery years through today, Tell Them We Are Rising focuses on the establishment of Historically Black Colleges and Universities while also highlighting the general importance of learning for the sake of empowerment and progress. The new feature functions as an unofficial prequel to the 1975 film, which has already spawned a sequel, stage play, dramatic retelling, and more. isn’t remotely innovative. As was the case in 2017, narrowing down the best documentaries of 2018 felt more than difficult—unnecessary, even, given the glut of vital (we do not use that word lightly) and groundbreaking documentary films to come out of a festival like True/False, to name but one, this year. This, according to Wiseman himself, isn’t remotely true. There’s an overwhelming amount of information in the film, which is probably intended even if you feel a need to watch it a second time to understand everything.Where to see it: Hulu; rent on YouTube (watch the trailer), Released: February 19Director: Stanley Nelson (The Black Panthers: Vanguard of the Revolution)Why it’s great: Nelson is PBS' go-to filmmaker for documentaries on black history topics, but unlike his usual work, this one leaves you with more than just a lesson on the past. The whole thing, but especially scenes focused on her health, seems aimed at convincing the audience that she needs to be around a while longer, and for that it’s very effective.Where to see it: Hulu; rent on Amazon Prime, YouTube (watch the trailer), Released: October 19Director: Alexandria Bombach (Frame by Frame)Why it’s great: Before being honored as one of this year’s recipients of the Nobel Peace Prize, Iraqi human rights activist Nadia Murad was followed around for many months by Bombach and her camera. —Tim Grierson. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX or with other IMAX-certified digital cameras. That two of the movies below are exclusively available on streaming services—namely Netflix and Hulu (the latter features Crime + Punishment as well, a film that almost made the following list)—is a testament both to how important these services have become for this genre, and how no one really goes to the movie theater to watch documentaries anymore. Partway through, an acquaintance describes him as “a towering pine tree of a guy,” which doesn’t quite do justice to his folkloric image. And Novack could have focused the film on fashion alone. Together, they make up a remarkable picture.Where to see it: Coming to home video (watch the trailer), Released: July 20Directors: Ian Bonhôte and Peter EttedguiWhy it’s great: Fashion designer Alexander McQueen gets one of the most widely appealing biographical documentaries in some time with this perfectly constructed film. (If the caravan was a concern at the time of the film’s production, they’d probably not talk about that, either. With this important and deeply concerning feature, which is difficult to watch at moments, she tackles the ever-timely issue of children with severe emotional and mental illness while separately profiling three struggling families. At my True/False screening, the audience was warned before Won’t You Be My Neighbor? On an extra level, Generation Wealth is also a deeply personal work with a compelling first-person narrative in which Greenfield reflects on her career photographing the excessively and garishly wealthy, revisiting subjects she’s captured over the decades with fresh insight.Where to see it: Rent on YouTube, Amazon Prime (watch the trailer), Released: September 21Director: Michael Moore (Fahrenheit 9/11, Bowling for Columbine)Why it’s great: Comparatively light on humor, Moore’s latest mostly trades in his trademark political shenanigans for an angry inquiry into "how the f**k" Donald Trump was elected president. “He took all the shows where I look good and tossed it in the bin. Even then, their latest contains the usual dilemma for the filmmakers regarding the potential to document their subject’s death, making for an extra layer of meta-narrative. Maybe it’s necessary to let history haunt us. Fascinating. How best to do so? Beauty and style retain meaning, and yet the film’s lingering message cares for neither. since 1947 roswell maury island incidents till present ufo cases. Click on the category titles to browse for more docs. From an Arizona mining town to the middle of nowhere Indiana, from the middle of nowhere Illinois to the U.S./Mexico border, here are the documentary films that haunted 2018.

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