Before this, Vermeer and Griet began to spend a lot of time together when Griet began assisting him with his paintings. A sumptuous new look for Tracy Chevalier's bestselling novel. In his will, Vermeer requested that Catharina give Griet the pearl earrings from the painting, which is why Catharina has called her here. This is literature-lite. My birthday gift from a friend, rare happened because very tricky to buy a book for someone else, but I know why she did. Ten years later, long after Griet has married Pieter and settled into life as a mother and butcher's wife, she is called back to the house following Vermeer's death. Griet is competent, intelligent and observant. Does anybody have read this book and also watched that movie? During this episode it is recalled that she had previously appeared in Woman with a Lute and that her husband had seduced the maid who sat for The Girl with the Wine Glass. Then Vermeer employs her as his assistant–and ultimately has Griet sit for him as a model. This takes up much of her time, and Griet arouses the suspicions of Catharina, but Vermeer's mother-in-law, Maria Thins, recognizes Griet's presence as a steadying and catalyzing force in Vermeer's career and connives at the domestic arrangements that allow her to devote more time to his service. [9] Details were also called into question by the art historian Gary Schwarz, particularly the simplistic portrayal of the Catholic/Protestant division in a country where the differences between Protestants were equally important. Griet has not interacted with any member of the Vermeer family in over ten years, and has no idea why Catharina wants to see her. Sixteen-year-old Griet has to leave her family home in Delft in 1664 after her father is blinded in an accident. I don't read romances but enjoy trying new stories. [9] Details were also called into question by the art historian Gary Schwarz, particularly the simplistic portrayal of the Catholic/Protestant division in a country where the differences between Protestants were equally important. The next day, Griet travels to the Vermeer household and meets their five children, including their daughter Cornelia, a seven-year-old with a wicked streak that is immediately apparent. Chevalier presents a fictional account of Vermeer, the model and the painting. I don't say that often enough about a book. Just a moment while we sign you in to your Goodreads account. Griet fits in nicely to the Vermeer household, gaining complements for her work from each of the family members except Catharina and her shrewd daughter, Cornelia. She began to think of "the story behind that look”, imagining it as directed at the painter. The book has been awarded with ALA Alex Award … [1] Pregnant at the time of researching and writing, she finished the work in eight months because she had a "biological deadline".[2]. Fiction. Goodreads helps you keep track of books you want to read. [12] The restraint is also a function of the distanced style that Chevalier chose for her narrator, Griet. Going by various names over the centuries, it became known by its present title towards the end of the 20th century after the large pearl earring worn by the girl portrayed there. We actually see the painting of three or four of Vermeer's 35 through Griet's eyes. [15] Deborah Moggach’s Tulip Fever, on the other hand, is set in Amsterdam and also deals with the love between a painter and his subject. He loves only those things that fit into his sense of light and shape and color and tone. For the painting, he forces her to pierce her ears and wear his wife's pearl earrings without her permission. ”Antonie van Leeuwenhoek (1632–1723) and Johannes Vermeer”, "Master Vermeer, Isn't It, Um, Missing a Little Spark? Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. This hangs on the wall to the right of The Concert. Vermeer's patron, a sleazy, domineering man, eventually orders Vermeer to paint a picture of Greit for himself. Well, that's not true. When she arrives, she is overcome with emotion upon seeing Vermeer's household again, and wishes she could see him, or the painting, one last time. Griet is increasingly fascinated by Vermeer's paintings. The fact that they were working so closely together had to be kept a secret from the family, especially from Catharina, who would certainly be jealous. Unlike many of Vermeer’s subjects, she is not concentrating on a daily chore and unaware of her viewer. She had bought the poster as a nineteen-year-old and it hung wherever she lived for sixteen years. For Walter Liedtke, the gallery's curator of European paintings, the success of [the exhibition] was due, at least in part, to Chevalier's novel.”[29], Page 7 in the HarperCollins paperback (2000). She possesses the laudable ability to maneuver 17th century Delft in a shrewd and practical manner while still retaining her love of art; finding beauty in even mundane things. When Girl returned to the Netherlands in 2014, the Mauritshuis announced it would no longer lend out the painting, assuring visitors that the museum’s main attraction would always be in its home. Set in 17th-century Delft, Holland, the novel was inspired by local painter Johannes Vermeer's Girl with a Pearl Earring. everything you need to sharpen your knowledge of Girl with a Pearl Earring. Cornelia seizes the chance to let Catharina discover this and in the resulting scandal Vermeer remains silent and Griet is forced to leave. [25], These paintings that survive compensate for the lack of much real information available in the historical record about the main male characters. This hangs on the wall to the right of The Concert. Thus it was noted that the 2001 exhibition of “Vermeer and the Delft School” at the Metropolitan Museum of Art in New York “attracted almost twice the number of visitors than the Vermeer exhibition held at the National Gallery of Art in Washington in 1996.

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