[citation needed], Black or White was released on Blu-ray and DVD on May 5, 2015. Elliot Anderson is widowed after a car crash leads to the death of his wife. Elliot finds himself deeply entrenched in a custody battle and will stop at nothing to keep his granddaughter from coming under the watch of her reckless father. [9], Black or White grossed $21.6 million in North America against a budget of $9 million. Spencer puts across Rowena's common sense and bulldozer righteousness as well as an impulsive, self-defeating busybody quality that alarms her own adult kids; their ranks include her son Jeremiah (Anthony Mackie), a lawyer who warns Rowena that the only way to win custody is to paint Elliott as a racist, a charge that's probably true in certain ways but that will need to be puffed up to monstrous dimensions in court. The movie never subverts the stereotype, even in its more laudable moments, such as a nifty bit of crosscutting that reminds us that Reggie's drug habit and Elliott's drinking are both about numbing unbearable pain. Cette section est vide, insuffisamment détaillée ou incomplète. The film premiered at the 2014 Toronto International Film Festival and was released in … First among equals is Costner, who's fearless about letting Elliott be hurtful, maudlin and pathetic at times. But it's often painful, and not in a good way; it's painful because of the roads it doesn't explore, the shortcuts it takes, and the special pleading it can't stop itself from indulging in. The film premiered at the 2014 Toronto International Film Festival and was released in the United States on January 30, 2015. But too often the actors seem to struggle with dialogue and situations that turn their characters into clownish adversaries and stick-figure obstacles. The boys become close after playing together on the school's basketball team. She wants the girl to grow up surrounded by loved ones who can support her during a period of grieving, rather than living in near-isolation in a big, bland house with grandpa and his maid. "[11] On Metacritic, the film has a score of 45 out of 100, based on 30 critics, indicating "mixed or average reviews". With the best intentions at heart, both families fight for what they feel is right and are soon forced to confront their … The poor girl's White mother died in childbirth, and barely knew her African-American father, Reggie (Andre Holland of the excellent Cinemax series "The Knick"), a drug addict who got Eloise's mother pregnant and has barely been heard from since. He's a Baby boomer who probably considered himself race-blind until his daughter started sleeping with Reggie and ended up bearing his child. [12] According to CinemaScore, audiences gave the film an average grade of "A−" on an A+ to F scale. Written and directed by Mike Binder, and bankrolled by star Kevin Costner, it wants to illuminate and heal through straight talk, and if you look at it purely as a commercial venture, there's no denying its specialness. Worse still is the way that "Black or White" keeps the focus on Elliott rather than distributing its screen time more democratically, a strategy that might have countered complaints that the film is mainly concerned with proving that Elliott is not a racist, and that by extension, White viewers who identify with Elliott aren't racists, either. Black or White is a 2014 American drama film written and directed by Mike Binder. Elliott is no plaster saint. She wants Eloise to explore the other side of her heritage by spending time with her African-American relatives. To its credit, "Black or White", that we sympathize with Reggie's struggle to stay clean, and understand that he's been placed in an. Vous pouvez partager vos connaissances en l’améliorant (comment ?) She's a pillar of the community who lives in a modest but comfortable house in South Central L.A. and owns two other homes and six businesses. His assertion that most people have racist thoughts from time to time, but what matters isn't our first thought but our second and third, rings true. [6][7], Relativity planned to release the film in time to qualify for the Oscar race,[4] starting with a limited release on December 3, 2014 then opening wide on January 30, 2015. [8] The limited release was scrapped, however, in favor of an immediate wide release. Another is Holland, who deserves a medal for making an increasingly repellent and nonsensical character watchable. [4], Principal photography of the film began on July 15, 2013 in New Orleans[5] with the filming lasting for five weeks. The movie uses the n-word in a couple of pivotal scenes, and not casually either, but it's impossible to congratulate the film for daring to go there when Elliott gets the chance to explain himself and launches into what sounds like the sort of half-apology, half-excuse that a White movie star might make after being caught using bigoted language in public. To its credit, "Black or White" keeps insisting that we sympathize with Reggie's struggle to stay clean, and understand that he's been placed in an impossible position: Rowena's side of the family has a better shot at custody if he can prove he's cut out to be a father, but you need only look into his haunted, guilty eyes to see that he's not. The film stars Kevin Costner, Octavia Spencer, Gillian Jacobs, Jennifer Ehle, Anthony Mackie and Bill Burr. In the end, "Black or White" is too disorganized and pokey, and too comfortable with sitcom-like clowning, to truly illuminate or heal, . And the melodramatic climax, which momentarily endorses Elliott's ugliest fears, is such a tawdry betrayal of the movie's nobler impulses that "Black or White" never recovers from it. Black or White is the story of a grandfather (Kevin Costner) who is suddenly left to care for his beloved granddaughter. Mackie's lawyer is one casualty: he's there mainly to inflame tensions and push Rowena to green-light extreme and ultimately counterproductive tactics. Black or White is the story of a grandfather (Kevin Costner) who is suddenly left to care for his beloved granddaughter. Ted Woods’s documentary “White Wash” wants you to know that white guys aren’t the only ones who surf. The performances range from solid to excellent. "Black or White," a domestic drama about a custody battle over a mixed-race child, is the kind of movie you root for, because it's clearly coming from a sincere and honest place. But he means well, and his actions prove it. character watchable. There are scenes in which seeming voices of reason say and do petty, self-destructive or outright stupid things, and scenes in which irritating or fundamentally untrustworthy characters blurt out something that's undeniably true. The film starts strong in a hospital waiting room, dropping you right into the worst moment of Elliott's life: learning that his wife (Jennifer Ehle) died of injuries sustained in a car wreck. [2], In its opening weekend of January 30, 2015, the film made a gross of $2.3 million on Friday, $3 million on Saturday, and $986,312 on Sunday for a weekend total of $6.2 million, playing in 1,823 with a per-theater average of $3,408 and ranking #4. Unfortunately, Reggie ends up validating White stereotypes of absentee Black fathers who would rather smoke crack than raise their kids; he's a hapless version of the sort of bogeyman that might have made its way into a 1980s State of the Union address about the failures of liberalism. Kevin Costner Octavia Spencer Jillian Estell, Pour plus de détails, voir Fiche technique et Distribution. [10], Black or White received mixed reviews from critics. Too many scenes verge on sitcom broadness, and even the more delightfully original supporting players (including Duvan, who speaks several languages fluently and has written thesis papers on every conceivable subject) wear out their welcomes. the failures of liberalism. After finding success during the basketball season, Marcus and Eddie decide to team up once again. The movie has a lot of problems, which we'll deal with momentarily, but for a while, at least, deck-stacking isn't one of them. selon les conventions filmographiques. Sauf indication contraire ou complémentaire, les informations mentionnées dans cette section peuvent être confirmées par la base de données IMDb. Too many scenes verge on sitcom broadness, and even the more delightfully original supporting players (including Duvan, who speaks, languages fluently and has written thesis papers on every, subject) wear out their welcomes. Unfortunately, "Black or White" is itself part of another sort of problem: the tendency to center what ought to be an extended family's drama on the distress of a White man—in this case, Costner's character, Elliott Anderson, a recently widowed and visible wealthy grandfather. Votre aide est la bienvenue ! On Rotten Tomatoes, the film holds a 39% rating, based on 102 reviews, with an average rating of 5.19/10. Un article de Wikipédia, l'encyclopédie libre. When … In the end, "Black or White" is too disorganized and pokey, and too comfortable with sitcom-like clowning, to truly illuminate or heal. When her paternal grandmother (Octavia Spencer) seeks custody with the help of her brother (Anthony Mackie), the little girl is torn between two families who love her deeply. Mackie's lawyer is one casualty: he's there mainly to inflame tensions and push Rowena to green-light extreme and ultimately counterproductive tactics. position: Rowena's side of the family has a better shot at custody if he can prove he's cut out to be a father, but you need only look into his haunted, guilty eyes to see that he's not. Worse still is the way that "Black or White" keeps, focus on Elliott rather than distributing its screen time more democratically, a strategy that might have countered complaints that the film is mainly concerned with proving that Elliott is not a racist, and that by extension, White viewers who, The movie uses the n-word in a couple of pivotal scenes, and not casually either, but it's impossible to, the film for daring to go there when Elliott gets the chance to explain himself and launches into what sounds like the sort of half-apology, half-excuse that a White movie star might make after being caught using bigoted language in public. Binder, who oversaw one of Costner's best performances in "The Upside of Anger," based this story on what happened to his nephew, a biracial child whose dad was out of the picture and whose mom died at 33. He quickly assumes child-raising duties once performed by his wife, including combing Eloise's hair and tying it with a bow (his form is lacking, to put it mildly), and even hires a tutor, Duvan Araga (Mpho Koaho of TNT's "Falling Skies"), to help the girl with math homework that he can't make heads or tails of. Volponi begins "Black and White" by discussing the friendship of Marcus and Eddie, two boys who attend the same high school. On September 25, 2014, Open Road Films was in talks to acquire the US distribution rights to the film. brief strong language, thematic material involving drug use and drinking, and for a fight, The performances range from solid to excellent. Black or White est un film américain écrit et réalisé par Mike Binder, présenté au Festival de Toronto en septembre 2014 et sortie en salles en janvier 2015 Synopsis. Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. Cette section est vide, insuffisamment détaillée ou incomplète. A bitter court battle ensues between a white lawyer (Kevin Costner) and a black woman (Octavia Spencer) over custody of their biracial granddaughter, forcing both parties to confront their feelings on race, understanding and forgiveness. But too often the actors seem to struggle with dialogue and situations that turn their characters into clownish adversaries and stick-figure obstacles. Elliott wishes people would recognize how hard he's trying and how good his heart is, and just leave him alone in his big house with its big swimming pool and his Mexican maid to raise his young granddaughter Eloise (Jillian Estell).

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