She demurred. Even by the standards of 1970s rock’n’roll, it was in bad taste: a billboard on Sunset Boulevard of a bruised and bound woman sitting on a gatefold cover of a new Rolling Stones album that proclaimed: “I’m ‘Black and Blue’ from the Rolling Stones … The beautifull girl in bondage almost didn't get the gig, however because the Stones front man, Mick Jagger thought Anita was "too pretty" for the job. At a casting with Jagger and photographer Ara Gallant in New York, Russell passed the part-African-American model Pat Cleveland on the stairs and felt sure she’d get it. © 2019 Billboard. The Rolling Stones returned to Munich, Germany, in December 1974—where they had recorded their previous album It's Only Rock 'n' Roll—and began the recording of their new album at Musicland Studios, with Mick Jagger and Keith Richards (as the Glimmer Twins) producing again. Five women connected with the group – “armed with buckets of fire-engine-red paint”, according to the magazine Mother Jones – defaced the hoarding, writing “This is a crime against women.” The band’s label, Atlantic Records, pulled the campaign. “I’m an actress-model, so it seemed like fun,” she adds. Anita convinced him that she could be ugly if she wanted to, and Mick himself tied her up. The album received a few positive reviews at the time of release, though many reviewers found it mostly forgettable, and tended to rank it very low compared to prior Stones releases. The controversial advert for the Rolling Stones’ Black and Blue album from 1976, featuring the model Anita Russell. As he had done the previous time the Stones were between second guitarists in 1968, Keith Richards recorded the bulk of the guitar parts himself, though the album recording sessions also served as an audition for Taylor's replacement. All tracks are written by Mick Jagger and Keith Richards, except where noted. “I’m an actress-model, so it seemed like fun,” she adds. The 1994 remaster was initially released in a Collector's Edition CD, which replicated in miniature many elements of the original gatefold album packaging. Former model Anita Russell, now an equestrian and author, says she did not feel exploited when she posed for the Rolling Stones campaign in 1976. At a casting with Jagger and photographer Ara Gallant in New York, Russell passed the part-African-American model Pat Cleveland on the stairs and felt sure she’d get it. Taylor Stitch Just Released an Exclusive, Limited Ranch Boot With Huckberry. It would be cancel culture,” McDonnell says. 05.08.1978, Peaked at #3 on Stylistically, Black and Blue embraces hard rock with "Hand of Fate" and "Crazy Mama"; funk with "Hot Stuff"; reggae with their cover of "Cherry Oh Baby"; and blues with "Melody," featuring the talents of Billy Preston – a heavy contributor to the album. Black and Blue is one of 10 albums being reissued and, not surprisingly, it will not be accompanied by the original ad campaign. Close to half a century on, the billboard ad stands as a turning point. That might be the case when it comes to the Rolling Stones’ 1976 album Black and Blue. By using our website, you agree to the use of our cookies. Is rock’n’roll more enlightened now? All rights reserved. The controversial advert for the Rolling Stones’ Black and Blue album from 1976, featuring the model Anita Russell. Photograph: Atlantic Records Five women connected with the group – “armed with buckets of fire-engine-red paint”, according to the magazine Mother Jones – defaced the hoarding, writing “This is a crime against women.” But the ad came out just as French Vogue published a Helmut Newton picture of a woman wearing a bridle and saddle, amplifying the controversy. There are certainly a lot of amazing women artists and they’re more acknowledged in the industry,” she says, “but it’s certainly not perfect or equitable. US; Artist 100; All Weekly Charts; YEAR-END . “It’s better than it was. “I never thought of it in a negative way.” Jagger asked her out. It would be cancel culture,” McDonnell says. A record company just wouldn’t allow it nowadays. Get InsideHook in your inbox. “It’s better than it was. With a view to releasing it in time for a summer 1975 Tour of the Americas, the band broke for the holidays and returned in January in Rotterdam, Netherlands, to continue working—all the while auditioning new guitarists as they recorded. Subscribe here for our free daily newsletter. your password [16], In 2000 it was voted number 536 in Colin Larkin's All Time Top 1000 Albums.[17]. There was a riposte a year later when the punk band X-Ray Spex released Oh Bondage Up Yours!. Retrospective reviews from more recent publications such as AllMusic have been kinder to the album, with critic Stephen Thomas Erlewine stating that the album's "being longer on grooves and jams than songs" ended up being "what's good about it".[3]. “Apart from the ballads, there might not be many memorable tunes, but there are times that you listen to the Stones just to hear them play, and this is one of them,” he noted. Close to half a century on, the billboard ad stands as a turning point. She points out – notwithstanding the fact that women, too, have played extensively with the iconography of bondage and fetishism, from the Plasmatics’ Wendy O Williams to Shakira throwing off her ropes during February’s Super Bowl half-time show – that equality, real or symbolic, wasn’t always forthcoming in the business. “I knew about ‘I’m black and blue from the Rolling Stones’, and I knew that the bruises meant I’d been beaten and tied. Russell played along with the outrage: she posed for a National Lampoon magazine cover imagining Jagger tied up, with Russell looking on, laughing. The band apologised. The Rolling Stones’ album cover for their 1976 Black and Blue album. Girl Groups to Riot Grrrl theorises that the campaign brought some attention to the album but ultimately overshadowed it. Welcome! “It’s great that Anita Russell felt she had agency in what she was doing, but for women walking down Sunset who might have been in abusive relationships, or were trying to get ahead in the music industry, that billboard might have felt like a reality.”. Now More Than Ever, President Dwayne “The Rock” Johnson? Privacy Policy Lester Bangs wrote in Creem that "the heat's off, because it's all over, they really don't matter anymore or stand for anything [...] this is the first meaningless Rolling Stones album, and thank God". Bill Wyman would later release a version of "Melody" with his Rhythm Kings, crediting Preston as author. “I didn’t want to get passed around from star to star, but I thought he was cuter than in his photographs.”, I wasn’t a model who could only pose and look pretty, and I wasn’t insulted because I knew it was tongue-in-cheek. Close to half a century on, the billboard ad stands as a turning point. Jeff Beck stated that, "in two hours I got to play three chords – I need a little more energy than that." There was a feminist outcry when the band used a tied-up model to promote their 1976 album. He also notes that Helmore went on to appear in a knowing parody of the billboard. Even by the standards of 1970s rock’n’roll, it was in bad taste: a billboard on Sunset Boulevard of a bruised and bound woman sitting on a gatefold cover of a new Rolling Stones album that proclaimed: “I’m ‘Black and Blue’ from the Rolling Stones … “While Andrea Dworkin and Women Against Violence might have seemed like radical fringe feminism then, that reaction is mainstream now. [14], Critical view was polarised. Russell recalls that she hadn’t expected to get the booking. Musical and thematic styles were merged on the seven-minute "Memory Motel," with both Jagger and Richards contributing lead vocals to a love song embedded within a life-on-the-road tale. “It’s better than it was. “It certainly didn’t let the music speak for itself, and the controversy doesn’t age well.”. “It certainly didn’t let the music speak for itself, and the controversy doesn’t age well.”. Former model Anita Russell, now an equestrian and author, says she did not feel exploited when she posed for the Rolling Stones campaign in 1976. But I wasn’t a model who could only pose and look pretty, and I wasn’t insulted because I knew it was tongue-in-cheek,” she says. 8 Number 2 July 1976 "State of the Art: Bland on Bland", "Slave" and "Worried About You" recorded during sessions in January–February 1975, Christgau's Record Guide: Rock Albums of the Seventies, "Robert Christgau: CG: The Rolling Stones", https://www.lilianpacce.com.br/e-mais/o-design-de-bea-feitler-livro/, "Austriancharts.at – The Rolling Stones – Black and Blue", "Dutchcharts.nl – The Rolling Stones – Black and Blue", "Charts.nz – The Rolling Stones – Black and Blue", "Norwegiancharts.com – The Rolling Stones – Black and Blue", "Swedishcharts.com – The Rolling Stones – Black and Blue", "Rolling Stones | Artist | Official Charts", "British album certifications – The Rolling Stones – Black and Blue", "American album certifications – The Rolling Stones – Black and Blue", Recording Industry Association of America, Muddy Waters & The Rolling Stones Live At The Checkerboard Lounge, Chicago 1981, 25×5: the Continuing Adventures of the Rolling Stones, Olé Olé Olé!

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